Failure and Its Uses Part Two

I will pick up from my previous post by describing a recent assignment in my AP Language classroom, but first want to address a few things that have been brought up in the comments to the “Part One” post. A few people mentioned that one situation evolving out of the reaction to decrease failure is to homogenize, or lower standards in order to avoid failure and create one vision of success. I think this is true—to a point. I’m sure it happens, but I’m also leery of the tone of such an assumption. I’ve never met an educator who mindfully, consciously, and intentionally compromised their academic integrity and lowered standards for students to simply pass them along and avoid failure. I’m not saying it doesn’t happen, but I am saying I’ve not been party to it in fifteen years and working in three school districts. By-and-large teachers are an ethical bunch who care about learning. Even the system of second chances mentioned in my previous post, does not imply a lowering of standards. What it does is offer second chances in ways I’m concerned are unhealthy to the learning process.

The other comment from part one I would like to address coincides with a recent post by one of my colleagues here at “Stories from the Schools.” One problem with evaluation and pacing in the public schools is the arbitrary nature of batching students by age and assuming that they learn at the same pace. I agree this is problematic and worthy of long discussion. I also agree that this is one arbitrary choice among many. I admire the project of the Khan Academy, and also admire Sal Khan’s stance of working to support public schools and not as an active critic of them. I think this is something worth exploring, but it is also something that much change at the larger systemic level first, or alternatives must be put in place or we set students up for an unfair failure. If a college does not know how to read a high school graduate’s transcript because their school eschewed grades, how does that serve a student? How do we ensure a fair and rigorous statewide or nationwide curriculum without the traditional A-F grade system? How do we ensure another arbitrary system accomplishing the exact same thing does not replace the A-F system? Difficult and complex conversations. Personally, I am currently interested in approaching these problems within the classroom, and within our current structures. Mostly, because it will impact students immediately.

What follows is my personal attempt to create a situation where students can take academic risk, fail, and have authentic second chances that provide the opportunity to learn and succeed. It is an assignment still in progress so I don’t know if it works, but this is something I’m trying.

In an attempt to shake students out of thinking like a student when writing in my class (and to get them thinking like a writer) I gave them the “read-it-like-a-reader-not-like-a-teacher assignment.” I told them they could write about anything they wanted, and that I would read until I lost interest—just as a general reader would. The point of the assignment is to make them stop playing the “game of school” and to find a more authentic academic voice. Most of my writing assignments read like letters so here is part of my intro:

“The challenge of writing compelling, analytical, academic essays is to merge two main things—thoughtful/provocative content and well-constructed prose. Substance and style. That’s what this class really is all about. We’ve been looking at what authors say and how they say it. I want you to pay more attention to what you have to say and how you say it. In other words, I want you to write like a champ. It will be hard, but I believe in you, as do your peers, your parents, and your dog/cat (take your pick).”

Then I gave them parameters regarding page lengths, etc., and I worked to define what would lose my interest—all based on work we’ve been doing in class via reading and writing assignments all year. This is key. The “read-it-like-a-reader-not-like-a-teacher assignment” came out of a specific class with a specific need, within a specific context. This is also why I am leery of technology based, independent learning platforms. Learning is dynamic in a human way, not a computerized logarithmic way. The assignment arose out of need, context, and the specific humans in the room. Here are my definitions from the assignment:

 

Definitions:

Lose interest: there are lots of reasons readers lose interest. For some, it is because there is a football game on. Or that it is raining outside. It is a relatively subjective thing, so I will attempt to put some parameters around this. I’m a forgiving reader (mostly). I’ve been a middle school or high school teacher for 14 years, so I’ve been trained to be a forgiving reader. I want my students to do well, and I want to be engaged in your writing. This is a good thing for you (a great thing actually). But I do lose interest when I run into the following:

  • Sentences that don’t say anything due to over use of abstractions, ambiguous syntax, or a general lack of clarity. (See Orwell revision sheet).
  • When people ignore the suggestions from George Orwell on the Orwell revision sheet (dead metaphors, pretentious language, jargon, etc.)
  • When arrogance seeps through the writing to the point the author appears not to care if other perspectives exist in the world.
  • When paragraphs or ideas within paragraphs appear unrelated (and I have an associative mind, so I can make some tenuous connections).
  • When writing feels formulaic, forced, or stylized inappropriately, and that there is not an authentic voice thinking through and communicating ideas.

What you are saying: equals the content of your piece. You can write about anything you like. Something connected to class or something that just matters to you. Technology, education, politics, a theme you wish had won in the class voting. Totally up to you. Note: I’m willing to read about any topic if the writing is strong enough.

How you are saying it: equals a conscious uses of grammar and rhetoric and style. You use devices we’ve discussed in class, you use sentence variety, fresh image or metaphor, your sentence mean something and flow together.

Are some of these subjective? Absolutely. But so is the attention span of any reader anywhere. In fact, I’d argue that my students have more information here about their reader than most writers. As the poet Antonio Porchia says in his book Voices, “I know what I have given you. I do not know what you have received.” I think teachers feel this way at times as well.

About half of the students earned an “F” on their first submission as I did not read past the first paragraph, or even the first sentence because the syntax was garbled or overly abstract or any other host of listed reasons. I drew the line, entered the score and told them, in proper Beckett style, to try again. They are trickling in (the deadline for the second submission is open), and some are improved. But the best part is the conversations have changed a bit. They are looking at their writing differently. They are not asking, “what do I need to fix?” but “how do I make this more engaging?” Which was the point. It’s not a perfect assignment, but I certainly feel it is one that fails better than most I’ve created this year. I also feel it is an assignment working to authentically engage students with both the course content and with their learning selves. They must face failure in a new way. I plan on adding a reflective letter assignment as the year ends asking them to discuss this assignment, the process for them, and the self-assess themselves as both writer and learner.

One thought on “Failure and Its Uses Part Two

  1. Jan Kragen

    I love this!

    Just as an example, the scoring guides we use for historical fiction writing in my class call for verisimilitude/accurate historical details plus emotional connection as well as great word choice, simile, and metaphor.

    Now I want to make them work even harder on the engagement side of their persuasive essays/opinion pieces.

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