In the last few weeks of school I was admonished by two students from different classes, and different schools actually, about the feedback I’d given them on their writing. There was not enough, basically, is what they both said.

I don’t disagree with them.

I remember the power of teacher feedback when I was in high school, and college. In fact, my graduate program did not give out letter grades. Each semester our professor/mentor/writing guru would write a half-to-full page review of our work. I was not alone pacing in the vestibule before the wall of student boxes afraid to pick up that powerful envelope, open it, and read what those professors said about me and my writing.

And that was after a semester of generous feedback. My whole master’s degree program was modeled on writers in conversation about their work and the great writers of the world.

As a professional I have read Nancy Sommers’ Harvard study, Stanford’s information on how to improve student writing through feedback and many other sources.

I get it.

Currently I teach four different English courses across seven sections, and they are all writing intensive. I love it and I don’t want a different course load. But there are realities I must face with this course load, like the amount of hours I can remain awake. And I don’t need much sleep.

I have rubrics designed to give as much feedback as a rubric can with the circling of a box. I hold individual student conferences, a few times a semester because I can say more than I can write, and I strive to, at bare minimum, note something working and something not working in a piece of writing so students can give it attention and amplify it or rework it. I think that works. And I know for a fact there are weeks and, sometimes months, where I do this really, really well, and there are weeks or months where I do not do this very well.

Here is what I am thinking about, offering up, and plan on working on next year: the way students ask questions about their writing. The students who questioned my level and quality of feedback had a legitimate concern. I looked back at their documents and remedied the problem by offering feedback and asking them multiple questions. I don’t mind doing that. But what has stuck with me most in the exchange is the fact that these writers (these student writers—though I’d argue we’re all student writers) did little more than complain about a lack of comments and never engaged with their own work at any level.

If a student won’t engage with their own work beyond, “is this good?” or “what’s wrong with this?” or “I need your feedback to reach my full potential,” then one problem in my classroom is not my feedback or lack of feedback, but the way these writers are engaging with their work. I have not taught them how to ask questions about their own writing. Good writers are good tinkerers. They always look at their work from one direction, then another direction, delete something, add it back in, re-arrange, etc. I need to find ways to foster that mentality in students. I never know if a piece of writing is “good,” and I know for sure I have nothing to do with a student’s “full potential.” Those, of course, are things they must work out for themselves.

I read interviews with writers obsessively, and can say with some confidence that the majority of great writers will acknowledge that the quality of a piece is ultimately measured by the writers’ internal satisfaction with it, with the knowledge they’ve done everything they can and it is time to abandon the work. What the world does or does not do with it is, well, up to the world. All artists know this.

Therefore, the writers I know and share my work with have conversations about our writing that center around language such as, “I’m having a problem with the ending….” Or “is the tone off in the third paragraph?” or “do you believe this character?” or “dear god, I can’t think about commas any longer, but I’m sure some of the commas are off in this, could you take a look?” The point is the questions are specific and come from a perspective of deep engagement with the piece of writing.

That is my new teaching focus in writing instruction. How do I foster attention (beyond telling them to pay attention to their language and to ask specific questions, which I’ve done for years) in a student writer?

Good thing I have some time to think about it.