My journey to bring in contemporary literature from a different perspective than the monolithic racial identity of authors dominating our curriculum turned out to be more of a whirlwind than I expected: I submitted the book for District approval back in September, gained my principal’s support to purchase copies of the novel, and received official District approval in time to integrate the book into my sequence in November.
Now it is December, and already my seniors have wrapped up their final projects from our reading of There There by Tommy Orange.
In part because of the accelerated nature of my school’s schedule, we tore through the novel at breakneck pace, engaging in regular discussion and frequent journal writing. Like any time teaching new content, there were hits and misses. My overall mission was two-fold: One, expose students to a work of literary merit that offered voices and perspectives otherwise not present in their school experience, and two, examine the craft and structure of the novel itself in order to consider different approaches to storytelling.
My students’ responses were interesting. As with any book I’ve tried to teach, there is always a subset of kids who see themselves as “bad readers” and whose default position is to approach with skepticism and negativity. This identity is often quite crystallized by the time the reach me as 17-, 18-, or 19-year-old high school seniors. I’ve yet to find the right way to reach every student with a given text, but the boundaries of who connects and who doesn’t shift in interesting ways.
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